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Sylvia Long's Mother Goose (Mother Goose) Sylvia Long Sylvia Long's Mother Goose Nesting Blocks Sylvia Long Hush Little Baby Sylvia Long Ten Little Rabbits Virginia GrossmanSylvia Long Sylvia Long's Mother Goose Block Box Sylvia Long An Egg Is Quiet Dianna Hutts Aston?Sylvia Long Bugs for Lunch/Insectos Para El Almuerzo Insectos Para El Almuerzo Margery Facklam?Sylvia Long The Music at Long Verney 20 Stories Sylvia Townsend Warner?Michael Steinman? The Music at Long Verney Sylvia Townsend Warner?Michael Steinman?William Maxwell? The Music at Long Verney William Maxwell?Sylvia Townsend Warner?Michael Steinman? The Most Timid in the Land A Bunny Romance Oliver Herford?Sylvia Long Ten Little Rabbits Virginia GrossmanSylvia Long Nexos Introductory Spanish Sheri Spaine Long?Sylvia Madrigal Velasco?Kristin Swanson? Fire Race A Karuk Coyote Tale About How Fire Came to the People Jonathan London?Lanny Pinola?Sylvia Long Bugs for Lunch Margery Facklam?Sylvia Long Memory Bank for Hemodynamic Monitoring The Pulmonary Artery Catheter (The Jones and Bartlett Memory Bank) Gary W. Ervin?Sylvia Long The Art of Long Reining Sylvia Stanier? The Art of Long Reining Sylvia Stanier? Bugs for Lunch Margery Facklam?Sylvia Long Liplap's Wish Jonathan London?Sylvia Long Women Celebrate Long-Term Sobriety Sober Women Share About Life, Love, Family, Work, and Money Sylvia Cary? Nexos Media Edition Sylvia Madrigal Velasco?Sheri Spaine Long?Maria Carreira?Kristin Swanson? More Long-Life Chinese Cooking from Madame Wong S. T. Ting Wong?Sylvia Schulman? Continuing Care Retirement Communities Hirsch S. Ruchlin?Clarence C. Sherwood?Shirley A. Morris?Sylvia Sherwood? Hawk Hill Suzie Gilbert?Sylvia Long Fire Race A Karuk Coyote Tale About How Fire Came to the People Jonathan London?Lanny Pinola?Sylvia Long Alejandro's Gift Richard E. Albert?Sylvia Long 10+ Women With Long-Term Sobriety Talk About Life, Love, Family, Work, and Money Sylvia Cary? Any Bear Can Wear Glasses The Spectacled Bear Other Curious Creatures Matthew Long?Thomas Long?Sylvia Long My Baby Journal Sylvia Long Ten Little Rabbits Virginia GrossmanSylvia Long Fire Race A Karuk Coyote Tale of How Fire Came to the People Jonathan London?Lanny Pinola?Sylvia LongJulian Lang? Hush Little Baby Sylvia Long Deck the Hall Rabbit Doll Sylvia LongChronicle Books Liplap's Wish Jonathan London?Sylvia Long Ten Little Rabbits Virginia GrossmanSylvia Long Hush Little Baby Sylvia Long Deck the Hall A Traditional Carol Sylvia Long Twinkle, Twinkle, Little Star A Traditional Lullaby Jane Taylor?Sylvia Long Waddle, Waddle, Quack, Quack, Quack Barbara Anne Skalak?Sylvia Long China and the Long March to Global Trade The Accession of China to the World Trade Organization Sylvia Ostry?Alan S. Alexandroff?Rafael Gomez? Snug As a Bug Michael Elsohn Ross?Sylvia Long China and the Long March to Global Trade The Accession of China to the World Trade Organization (Routledge Studies in Growth Economies of Asia, 34) Sylvia Ostry?Alan S. Alexandroff?Rafael Gomez? Twinkle, Twinkle, Little Star Sylvia Long Seed Is Sleepy Dianna Hutts Aston?Sylvia Long Family Caregiving in a Changing Society The Effects of Employment on Caregiver Stress (Garland Studies on the Elderly in America) Sylvia Z. Orodenker? Attitudes Towards Funding of Long-term Care of the Elderly (Books Mongraphs Published by the ESRI) James Williams?Gerard Hughes?Sylvia Blackwell? The Music at Long Verney Sylvia Townsend-Warner? Sylvia Long's Deck the Hall BB Chronicle Books Turn on to Reading (All Night Long/Workbook) Sylvia Blake? Memory Bank for Hemodynamic Monitoring The Pulmonary Artery Catheter Gary W. Ervin?Sylvia Long Liplas Wunsch. Wie Grossmutter sich in einen Stern verwandelte Jonathan London?Sylvia Long Detail from Five Wise Storytellers Trying to Keep Warm/Includes 20 Notecards (One Image and 20 Envelopes) Sylvia Long The Art of Long Reining Sylvia Stanier? An Egg Is Quiet Dianna Hutts Aston?Sylvia Long Alejandro's Gift (Reading Rainbow Books (Sagebrush)) Richard Albert?Sylvia Long Sylvia Long's Little Rabbits/Artcards (Chronicle Artcards Series) Sylvia Long Memory Bank for Hemodynamic Monitoring Sylvia LongGary W. Ervin? Hush Little Baby 16 Assorted Notecards Envelopes Sylvia Long
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chat_system_1962490554_actor_description=Hank. Drunken pirate. chat_system_1962490554_switch_0_header_1=^?^Eh... Hey, you two... Yes, I m talking to you... you twins... come here, you knocked over my rum! You ve come for a nice little chat wi ol Hank, have ye? br A thousand green imps in a bucket of chum! They ve kicked ol Hank out of his own tavern, so they have! chat_system_1962490554_FIRST_question=^?^Hey! Who s there, eh? br [s]The pirate is dead drunk. He has trouble raising his head to look at you, and is barely able to talk without hiccuping.[/s] chat_system_1962490554_FIRST_answer_0=^?^My name is Amelie. chat_system_1962490554_snap_0_question=^?^Am.. Amelie, eh... I swear its... its... I swear by my bottle, you re not from around here! Which means... you ve got no idea who you re talking to, eh? Am I drunk? I mean – am I right? chat_system_1962490554_snap_0_answer_0=^?^Yes, I just recently landed on the island and I have no idea who you are. chat_system_1962490554_snap_0_header_0=^?^And the name Hank means nothing to you? By a thousand sea urchins, does nobody know a blessed thing about anybody else on this accursed island? br [s]The distraught pirate shakes a drunken fist at an uncaring world, and a single tear squeezes from his eye. The strong smell of rum currently saturating his every pore, wafts in your direction [/s] br And I, let me tell you... I went for a sail with that young scally Rob Cuttlefish. Seven years from bottle to bottle, as I do recall.... Oh, the times we had... chat_system_1962490554_MAIN_question=^?^[s]It seems that Hank has managed to doze off, roasting gently in the sun. But when he hears your voice, he opens his eyes slightly and grabs the bottle lying nearby...[/s] br Hey, who here? Aaa, it s you... What you want? chat_system_1962490554_MAIN_answer_0=^?^Tell me about Rob Cuttlefish. chat_system_1962490554_MAIN_answer_1=^?^I d love to hear some pirate yarns. chat_system_1962490554_MAIN_header_1=^?^Aye, there s been much talk of late – being as how there s a darned female leading the pirate community! Cross my blackened heart and swear to be sober, but tis true! Sure tis bad luck to have a woman aboard, but a woman in charge – then you re doomed for sure! br Know ye how Arianna came to be mistress here? Following the sorry death of poor Jack Albatross, up she marched, bold as brass, claiming the island was rightfully hers – she being the daughter of ol Jack, you understand. Course, everyone just laughed... you ve got to be the toughest, richest, blackest pirate sailing the Seven Seas, to win the respect of the pirate community. As if that disorderly rabble of sea dogs would be willin to serve under a crumpet! br And then into our waters comes the White Kraken! Disaster, I tell ye! Dozens of our ships sunk, and the fearsome sea monster trolling the waters for more... Twas Arianna that stepped up and promised to rid us from the Kraken – at a price, mark ye – we should recognize her as our leader. br The pirate barons had a good laugh at this how could a young slip of a thing succeed where a thousand desperate pirates had failed! But the wager was made... Arianna s ship set out to sea that very day, and for two long days no sign of mast nor sail was seen, but on the third... Arianna s ship sailed back into dock, tight as a cork. True enough, the Kraken s not been heard of since. br But... tis common knowledge that any pirate who serves on Arianna s crew is bound for life – try to desert ship, and then, me hearties, you ll disappear, down into Davy Jones locker, for tis rumored she s in league with the Kraken... for a price... chat_system_1962490554_MAIN_answer_2=^?^What s it like living here? Tell me about Scarlet Wind. chat_system_1962490554_MAIN_header_2=^?^Pah![s]Hank spits with great relish.[/s] br It s a cursed hole! Rum s of no use, for pirates today are not like they were back in the days of ol Cuttlefish. No one s up for a life of risk and adventure on the open sea! They say it s better over there on Rusty Anchor. Well me – I ll hunt my fortune here, and retire to Rusty Anchor when I m dead! chat_system_1962490554_MAIN_answer_3=^?^I ve no time to shoot the breeze with you. See you! chat_system_1962490554_snap_4_question=^?^Rob Cuttlefish was a famous pirate and a good friend! Even when he stranded me out on a deserted island, he left me a barrel of rum for company– now there s a real gent! We ve sailed right around the world – all four corners and back – him an me! Aye, the sights we ve seen would peel your eyeballs... We fought against the Lizardmen, ran from the White Kraken, bought two-headed cows from zombie traders... I ve even seen human beings grow wings in the Temple of Love – tickle me with a jellyfish if it be not true! Though they snapped right off again, useless as a broken rudder... br Now here s a good yarn old Robbie, he once bought a talking door from that merchant, Lew Klisan – an odd character there, and no mistake. Anyways, he sets it up to guard our treasures. Right here on Scarlet Wind! Trouble is, he took the secret of that door with him to the grave. chat_system_1962490554_snap_4_answer_0=^?^He told no one the secret of how to open it? Not even you – his closest friend? chat_system_1962490554_snap_4_header_0=^?^Fact is, he simply didn t have time to tell anyone. I swear by Rob s beard, his death was passing sudden – even took Death himself by surprise, I ll warrant! We sat there drinking, and he told me of a parrot, that knows the secret word. Well I got a little heated at this point – the rum always makes me a little excitable – and I grabbed my bottle and broke it on the bonehead... Rob came down terrible sick and had scuttled his tub, if you get my meaning, a few days later... br And so they buried the poor soak on Rusty Anchor Island. And all that remained of the bright memory of old Cuttlefish was that silly bird. Blast me, if the parrot didn t up and fly away the very next day!
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PREFACE まえがき Permit me in the first place to anticipate the disappointment of any student who opens this book with the idea of finding wrinkles on how to draw faces, trees, clouds, or what not, short cuts to excellence in drawing, or any of the tricks so popular with the drawing masters of our grandmothers and still dearly loved by a large number of people. No good can come of such methods, for there are no short cuts to excellence. But help of a very practical kind it is the aim of the following pages to give; although it may be necessary to make a greater call upon the intelligence of the student than these Victorian methods attempted. はじめに言っておくが、この本を開いた学生諸君が、顔や木や雲や何やらの描き方の「ツボ」や、ドローイング上達の近道、あるいはわれわれの祖母の世代からいまなお多くの人々によって心から愛されている偉大な画家たちが好んだテクニックなどを探そうと考えてこの本を開いたとしたなら、きっと落胆するだろう。そのようなメソッドは何の役にも立たない。上達に近道はないのだから。本書の意図は、まさに真に役立つ手助けを提供することにある――学生諸君には、上述のビクトリア時代のメソッドよりも多くの知性を要求するだろうが。 It was not until some time after having passed through the course of training in two of our chief schools of art that the author got any idea of what drawing really meant. What was taught was the faithful copying of a series of objects, beginning with the simplest forms, such as cubes, cones, cylinders, c. (an excellent system to begin with at present in danger of some neglect), after which more complicated objects in plaster of Paris were attempted, and finally copies of the human head and figure posed in suspended animation and supported by blocks, c. In so far as this was accurately done, all this mechanical training of eye and hand was excellent; but it was not enough. And when with an eye trained to the closest mechanical accuracy the author visited the galleries of the Continent and studied the drawings of the old masters, it soon became apparent that either his or their ideas of drawing were all wrong. Very few drawings could be found sufficiently like the model to obtain the prize at either of the great schools he had attended. Luckily there was just enough modesty left for him to realise that possibly they were in some mysterious way right and his own training in some way lacking. And so he set to work to try and climb the long uphill road that separates mechanically accurate drawing from artistically accurate drawing. 私は、2つの最高の美術学校を卒業してしばらく経ってから、ようやくドローイングとは何であるかについて理解した。それらの学校では、一連の物体を忠実に模写することを教えられた。まず立方体、三角錐、円柱といったごくシンプルな形状から始めて(これは現在無視されがちなことだが、描き始めにあたっては優れた方法である)、そのあとでより複雑な石膏像に挑戦し、そして最終的には人物の顔や、動作途中のポーズをとった人物、ブロックで支えられた人物などを模写した。正確に行うというかぎりでは、これら目と手の機械的なトレーニングはすべて優秀であったが、しかしそれだけではまだ十分ではなかった。精密で機械的な正確さを身に付けた目を持ってヨーロッパ大陸のギャラリーを訪れ、巨匠たちのドローイングを学んだとき、ドローイングの考え方について私か彼らのどちらかがまったく間違っていることがすぐに明らかになった。私の通った偉大な学校で賞を得られるくらい十分に「モデルそっくりの」ドローイングは、ほとんどなかったのである。もしかしたら彼らは何らかの正しい方法を採用しており、私のトレーニングにはそれが欠けているのかもしれない――幸いにも私にはそれに気づくだけの謙虚さが備わっていた。そして私は、機械的に正確なドローイングを芸術的に正確的なドローイングから隔てている、長く険しい道のりに挑戦することにした。 Now this journey should have been commenced much earlier, and perhaps it was due to his own stupidity that it was not; but it was with a vague idea of saving some students from such wrong-headedness, and possibly straightening out some of the path, that he accepted the invitation to write this book. さて、この挑戦はもっと早く始められるべきであったが、おそらく私自身の愚かさのためにそうはならなかった。しかし、そのような誤謬から学生たちを救い、彼らの道のりにある困難を取り除くかもしれないという漠然とした考えから、私はこの本の執筆を引き受けたのであった。 In writing upon any matter of experience, such as art, the possibilities of misunderstanding are enormous, and one shudders to think of the things that may be put down to one s credit, owing to such misunderstandings. It is like writing about the taste of sugar, you are only likely to be understood by those who have already experienced the flavour; by those who have not, the wildest interpretation will be put upon your words. The written word is necessarily confined to the things of the understanding because only the understanding has written language; whereas art deals with ideas of a different mental texture, which words can only vaguely suggest. However, there are a large number of people who, although they cannot be said to have experienced in a full sense any works of art, have undoubtedly the impelling desire which a little direction may lead on to a fuller appreciation. 芸術のような経験的なことがらを述べようとする場合、見解が相違する可能性は非常に大きく、また人はそのような見解の相違の発生が自分の責任に帰するだろうことを考えて恐怖する。それは砂糖の味について記述するようなもので、すでにその味を経験した人が書いたものからでなければ読者は知りえないだろうし、経験していない人が書いたものからではでたらめな説明が植え付けられてしまう。言葉は知性によって書かれるので、書かれた言葉は必然的にその知性に制限される。ところが芸術はそれとは別の精神的感覚の観念を扱い、それは言葉では曖昧に暗示することしかできない。しかし、少しの指導でも完全な理解が得られるだろうという強迫的な願望をたしかに持っている人はかなり多い(彼らは芸術活動を十全な意味で経験した人たちとは言えないのだが)。 And it is to such that books on art are useful. So that although this book is primarily addressed to working students, it is hoped that it may be of interest to that increasing number of people who, tired with the rush and struggle of modern existence, seek refreshment in artistic things. To many such in this country modern art is still a closed book; its point of view is so different from that of the art they have been brought up with, that they refuse to have anything to do with it. Whereas, if they only took the trouble to find out something of the point of view of the modern artist, they would discover new beauties they little suspected. 芸術についての本が役立つのはこうした人たちに対してである。だから、この本は第一には現役の学生に向けて書かれているが、他方、近代的な生活の激烈さと苦闘に疲れて芸術の中に癒しを求める、ますます増大する多くの人々にとっても興味あるものとなるだろう。この国に住むそうした多くの人々にとって、近代の芸術はまだ不可解なものである。その観点は、彼らがそれに関わることを拒むくらい、彼らが育てられてきた芸術の観点とは異なっている。だが、彼らが近代の芸術家の持つ何らかの観点を見出すことに苦労を惜しまないならば、彼らが思いもしなかった新しい美を発見することになるだろう。 If anybody looks at a picture by Claude Monet from the point of view of a Raphael, he will see nothing but a meaningless jargon of wild paint-strokes. And if anybody looks at a Raphael from the point of view of a Claude Monet, he will, no doubt, only see hard, tinny figures in a setting devoid of any of the lovely atmosphere that always envelops form seen in nature. So wide apart are some of the points of view in painting. In the treatment of form these differences in point of view make for enormous variety in the work. So that no apology need be made for the large amount of space occupied in the following pages by what is usually dismissed as mere theory; but what is in reality the first essential of any good practice in drawing. To have a clear idea of what it is you wish to do, is the first necessity of any successful performance. But our exhibitions are full of works that show how seldom this is the case in art. Works showing much ingenuity and ability, but no artistic brains; pictures that are little more than school studies, exercises in the representation of carefully or carelessly arranged objects, but cold to any artistic intention. ラファエロの観点からクロード・モネの絵を見れば、乱暴な筆跡の無意味なでたらめとしか映らないだろう。そしてクロード・モネの観点からラファエロの絵を見れば、実際に見えるフォルムを常に覆い隠すあの美しい空気感を一切欠いたブリキ人形として見るのが精一杯にちがいない。かように絵画の見方には大きな違いがある。これらの観点の違いは、フォルムの扱いにおいて実作品では大きな差異となる。したがって、通常は単なる理論にすぎないとして捨て去られる内容(実は良いドローイング練習には第一に不可欠なものなのだが)が本書の大半を占めることについて、弁明する必要はない。それがあなたのやりたいことであると確信するためには、何か成功した実績が最初に必要になる。しかしこの国の展示会は、芸術においてこれがいかにまれな事例であるかを示す作品であふれている。豊富な創意と技量は示すが、芸術的な知性は示さない作品――学校での勉強と大差ない絵、芸術的な意図に関心を払わない、注意深くあるいはぞんざいに配置された物体の表現の練習。 At this time particularly some principles, and a clear intellectual understanding of what it is you are trying to do, are needed. We have no set traditions to guide us. The times when the student accepted the style and traditions of his master and blindly followed them until he found himself, are gone. Such conditions belonged to an age when intercommunication was difficult, and when the artistic horizon was restricted to a single town or province. Science has altered all that, and we may regret the loss of local colour and singleness of aim this growth of art in separate compartments produced; but it is unlikely that such conditions will occur again. Quick means of transit and cheap methods of reproduction have brought the art of the whole world to our doors. Where formerly the artistic food at the disposal of the student was restricted to the few pictures in his vicinity and some prints of others, now there is scarcely a picture of note in the world that is not known to the average student, either from personal inspection at our museums and loan exhibitions, or from excellent photographic reproductions. Not only European art, but the art of the East, China and Japan, is part of the formative influence by which he is surrounded; not to mention the modern science of light and colour that has had such an influence on technique. It is no wonder that a period of artistic indigestion is upon us. Hence the student has need of sound principles and a clear understanding of the science of his art, if he would select from this mass of material those things which answer to his own inner need for artistic expression. こんにち、あるいくつかの原則と、あなたが何に挑戦しようとしているのかについての明瞭で知的な理解が必要である。われわれにはガイドとなるような決まった伝統はない。学生が先生の様式と伝統を受け入れ、自立するまでそれに盲従するような時代は終わった。このような状態は、相互交流が困難で、芸術の水準が1つの町や州に限られていた時代の産物であった。科学がそのすべてを変えてしまい、われわれは個々の地域における芸術の発展が生んだ独自性と目的への専心が失われたことを悲しみもするだろうが、しかしそのような状態が再び到来することはないだろう。素早い輸送手段と安価な複製方法によって、世界中の芸術がわれわれの手元にもたらされた。ここではかつて学生が自由に触れられる芸術的な資料は、近所にあるわずかな絵と、それ以外はいくつかの印刷物に限られていたが、いまでは、美術館や貸出展示で個人的に見たものであれ、すぐれた複製写真によるものであれ、ふつうの学生に知られていないような世界的名画はほとんどない。ヨーロッパの芸術だけでなく、中東、中国、日本のの芸術もまた、彼をとりまき形作る影響力の一部である(光と色彩についての近代科学が技術上たいへんな影響力を持っていたことは言うまでもない)。われわれが芸術の消化不良の時代にあるというのも無理はない。それゆえ、この素材のかたまりから学生が自身の内なる芸術表現の欲求にこたえるものを選ぼうとすれば、彼には芸術の科学について根拠ある原則と明瞭な理解が必要となる。 The position of art to-day is like that of a river where many tributaries meeting at one point, suddenly turn the steady flow to turbulence, the many streams jostling each other and the different currents pulling hither and thither. After a time these newly-met forces will adjust themselves to the altered condition, and a larger, finer stream be the result. Something analogous to this would seem to be happening in art at the present time, when all nations and all schools are acting and reacting upon each other, and art is losing its national characteristics. The hope of the future is that a larger and deeper art, answering to the altered conditions of humanity, will result. 今日の芸術の地位は、多くの支流が1つに合流する川に似ている。緩やかな流れがとつぜん激流に変わり、多くの流れが互いに争い、あちこちで異なる潮流が引っ張り合う。しばらく下ると、これら新しく出会った勢力が別の状態に整られ、1つの大きな美しい流れがもたらされる。これと似たことが現在の芸術に起こっているように思える。現在、すべての国民とすべての学校が活動しお互いに反応し合っている。そして芸術はその国民的な特性を失いつつある。将来、変容した人間性のあり方に答える、大きく深い芸術がもたらされるだろう。 There are those who would leave this scene of struggling influences and away up on some bare primitive mountain-top start a new stream, begin all over again. But however necessary it may be to give the primitive mountain waters that were the start of all the streams a more prominent place in the new flow onwards, it is unlikely that much can come of any attempt to leave the turbulent waters, go backwards, and start again; they can only flow onwards. To speak more plainly, the complexity of modern art influences may make it necessary to call attention to the primitive principles of expression that should never be lost sight of in any work, but hardly justifies the attitude of those anarchists in art who would flout the heritage of culture we possess and attempt a new start. Such attempts however when sincere are interesting and may be productive of some new vitality, adding to the weight of the main stream. But it must be along the main stream, along lines in harmony with tradition that the chief advance must be looked for. この影響力争いの現場から離れ、新しい流れが始まる何もない太古の山頂に登って、すべてをやり直そうとする人もいる。しかし、新しい流れが進む中で、すべての源流となった太古の山の水によりすぐれた地位を与えることがどれほど必要であっても、激流の水から離れ、さかのぼり、再び始めようとする試みに実りが多いとは思えない。水は前に進んでしか流れないのだから。もっと率直に言うなら、われわれの文化的遺産を無視して新しいスタートを切ろうする芸術アナーキストの考えはまったく正当化できないが、しかし近代芸術の影響力の複雑さは、どんな作品も決して見失ってなならない原始的な表現の原則への注目を必然的なものとする、ということである。そのような試みは、誠実なものであるほど興味深く、また主流の勢力にとって新しい活力となるものを生み出すだろう。しかしそれは主流に沿って、つまり伝統と調和しながら最高の進歩を探究する道に沿って行われなければならない。 Although it has been felt necessary to devote much space to an attempt to find principles that may be said to be at the basis of the art of all nations, the executive side of the question has not been neglected. And it is hoped that the logical method for the study of drawing from the two opposite points of view of line and mass here advocated may be useful, and help students to avoid some of the confusion that results from attempting simultaneously the study of these different qualities of form expression. あらゆる国民の芸術の基礎と言いうる原則を見つけるために多くのスペースを割かなければならないだろうが、その探究の実践的な側面が無視されているわけではない。本書が提唱する、線とマッスという相対する2つの観点からなる論理的なドローイング学習法は、学生がこれらフォルム表現の別々の特性に同時に取り組もうとして生じる混乱を避ける助けとなり、きっと役立つものとなるだろう。
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The Bodyguard Caktail Freaky Friday The Goonies Josie and THE PUSSYCATS Movie Hits Over The Top Pretty Woman The Rocky Story Rocky IV The Bodyguard 1992/11/17 1. I Will Always Love You / Whitney Houston 2. I Have Nothing / Whitney Houston 3. I m Every Woman / Whitney Houston 4. Run To You / Whitney Houston 5. Queen Of The Night / Whitney Houston 6. Jesus Loves Me / Whitney Houston 7. Even If My Heart Would Break / Kenny G Aaron Neville 8. Someday ( I m Coming Back ) / Lisa Stansfield 9. It s Gonna Be A Lovely Day / The S.O.U.L. S.Y.S.T.E.M. 10. ( What s So Funny Bout ) Peace, Love And Understanding / Curtis Stigers 11. Theme From The Bodyguard / Alan Silvestri 12. Trust In Me / Joe Cocker featuring Sass Jordan Caktail 1988/7/29 1. Wild Again / STARSHIP 2. Powerful Stuff / FABULOUS THUNDERBIRDS 3. Since When / Robbie Nevil 4. Don t Worry, Be Happy / Bobby McFerrin 5. Hippy Hippy Shake / The GEORGIS SATELLITES 6. Kokomo / The BEACH BOYS 7. Rave On / John Cougar Mellencamp 8. All Shook Up / Ry Cooder 9. Oh, I Love You So / Preston Smith 10. Tutti Frutti / Little Richard Freaky Friday 2003年8月6日 ( HD ) ▼ Song List 1. Ultimate / Lindsay Lohan 2. Happy Together / SIMPLE PLAN 3. What I Like About You / LILLIX 4. The Art Of Losing / AMERICAN HI-FI 5. Brand New Day / FORTY FOOT ECHO 6. Me vs. The World / HALO FRIENDLIES 7. Take Me Away / Christina Vidal 8. ... Baby One More Time ( intro ) / Chad Michael Murray 9. ... Baby One More Time / BOWLING FOR SOUP 10. Backstage / the DONNAS 11. She Is Beautiful / Andrew W.K. 12. I Wonder / DIFFUSER 13. Beauty Queen / LASH 14. Just Let Me Cry / Ashlee Simpson 15. What A Wonderful World / Joey Ramone 16. Fortune Cookie ? / Rolfe Kent 17. You Freak Me Out / GIRLS ALOUD The Goonies Josie and THE PUSSYCATS 2001年3月27日 1. 3 Small Words / 2. Pretend To Be Nice / 3. Spin Around / 4. You Don t See Me / 5. You re A Star / 6. Shapeshifter / 7. I Wish You Well / 8. Real Wild Child / 9. Come On / 10. Money ( That s What I Want ) / 11. Dujour Around The World / 12. Backdoor Lover / 13. Josie And The Pussycats produced by Babyface Movie Hits 2002年1月23日 Disc 1 1. Elevation [ Tomb Raider mix ] [ U2 ] / 2. Deeper Underground [ Jamiroquai ] / 3. Wild Wild West [ Will Smith featuring Dru Hill Kool Mo Dee ] / 4. American Pie [ Madonna ] / 5. Pure Shores [ ALL SAINTS ] / 6. フェイ・ウォン / 夢中人 (恋する惑星) 王菲 / People In The Dreams (4 20) 7. ヒューイ・ルイス ザ・ニュース / パワー・オヴ・ラヴ (バック・トゥ・ザ・フューチャー) Huey Lewis The News / The Power Of Love (3 51) 8. リマール / ネバー・エンディング・ストーリーのテーマ (ネバー・エンディング・ストーリー) / The Never Ending Story (3 32)Limahl 9. Kokomo [ the BEACH BOYS ] / 10. Flashdance ... What A Feeling 95 [ Irene Cara ] / 11. La Bamba [ LOS LOBOS ] / 12. Dancing Queen [ ABBA ] / 13. The Grease [ Mega-mix ] [ Olivia Newton-John John Travolta ] / 14. The Living Daylights [ A-ha ] / 15. Tomorrow Never Dies [ Sheryl Crow ] / 16. Kiss From A Rose [ Seal ] / 17. Man On The Moon [ R.E.M. ] / 18. Everybody Needs Somebody To Love [ the BLUES BROTHERS ] / 19. Light My Fire [ Single version ] ( ハートに火をつけて ) [ the DOORS ] / 20. Chan Chan [ Buena Vista Social Club ] Disc 2 1. All The Love In The World [ remix ] [ the CORRS ] / 2. She [ Elvis Costello ] / 3. Kiss Me [ Sixpence None The Richer ] / 4. Out Of Reach [ Blacksmith Rerub Radio edit ] [ Gabrielle ] / 5. Lovefool [ the CARDIGANS ] / 6. Change The World [ Eric Clapton ] / 7. Up Where We Belong ( 愛と青春の旅立ち ) [ Joe Cocker Jennifer Warnes ] / 8. ダイアナ・ロス ライオネル・リッチー / エンドレス・ラヴ (エンドレス・ラヴ) Diana Ross Lionel Richie / Endless Love (4 28) 9. ライチャス・ブラザーズ / アンチェインド・メロディ (ゴースト) The Righteous Brothers / Unchained Melody (3 36) 10. ジェヴェッタ・スティール / コーリング・ユー (バグダッド・カフェ) Jevetta Steele / Calling You (5 22) 11. クリストファー・クロス / ニューヨーク・シティ・セレナーデ (ミスター・アーサー) Christopher Cross / Arthur s Theme (Best That You Can Do) (3 52) 12. ピーター・セテラ / グローリー・オヴ・ラヴ (ベストキッド2) Peter Cetera / Glory Of Love (4 21) 13. Wet Wet Wet / 愛にすべてを (フォー・ウェディング) Wet Wet Wet / Love Is All Around (3 50) 14. スターシップ / 愛は止まらない (マネキン) Starship / Nothing s Gonna Stop Us Now (4 28) 15. ティモシー B シュミット / ソー・マッチ・イン・ラヴ (初体験リッジモンド・ハイ) Timothy B. Schmit / So Much In Love (2 17) 16. スティーヴン・ビショップ / 君に想いを (トゥッツィー) Stephen Bishop / It Might Be You (Theme From Tootsie) (4 15) 17. ベッド・ミドラー / ウィンド・ビニース・マイ・ウィング (ビーチズ) Bette Midler / Wind Beneath My Wings (4 52) 18. クリス・デ・バー / レイディ・イン・レッド (ワーキング・ガール) Chris de Burgh / The Lady In Red (4 16) 19. フィル・コリンズ / 見つめてほしい (カリブの熱い夜) Phil Collins / Against All Odds (Take A Look At Me Now) (3 23) 20. アラニス・モリセット / アンインバイテッド (シティ・オヴ・エンジェル) Alanis Morissette / Uninvited (4 36) Over The Top Pretty Woman The Rocky Story Rocky IV 1. Burning Heart / SURVIVOR 2. Heart s On Fire / John Cafferty 3. Double Or Nothing / Kenny Loggins Gladys Knight 4. Eye Of The Tiger / SURVIVOR 5. War / Vince DiCola 6. Living In America / James Brown 7. No Easy Way Out / Robert Tepper 8. One Way Street / GO WEST 9. The Sweetest Victory / TOUCH 10. Training Montage / Vince DiCola
https://w.atwiki.jp/cohstatsjp/pages/287.html
Vehicle Hetzer Contents 1 Hetzer Veterancy 2 Tactics 3 History 4 Requires 4.1 Hetzer Tank 5 Called In Using 5.1 Hetzer 6 Vehicle Abilities 6.1 Vehicle Cover 6.2 Ambush Lock-Down 7 Vehicle Upgrades 7.1 APCR Rounds 7.2 Spotting Scope 8 Vehicle Weapons 8.1 75mm Hetzer 8.2 75mm Hetzer APCR 8.3 MG42 Hetzer Hetzer Health 450 Max Speed 6.2 Sight 35 Cost 300 Acceleration 1.3 Detection 0/0 Time 30 Deceleration 2.75 Hotkey Population 8 Rotation 27 Target Type armour_hetzer Upkeep 1.0752 Crush Human true Critical Type armour Crush Mode crush_medium Rear Damage Enabled true Hetzer Veterancy [Expand][Hide] Received Damage Received Accuracy Maximum Speed Maximum Health 0.9 0.9 1.15 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 24 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 58 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 102 Vet-Exp Tactics The Hetzer can camoflauge when stationary and so, is good for ambushing enemy tanks raids. History The Jagdpanzer 38 (known after World War II as the Hetzer ( baiter )), was a German tank destroyer of the Second World War based on a modified pre-war Czechoslovakian Panzer 38 chassis. The Jagdpanzer 38 fitted into the lighter category of German tank destroyers that began with the Panzerjäger I, continued with the Marder series, and ended with the Jagdpanzer 38(t). The Hetzer was fitted with a modified 75mm Pak 39 L/48, very similar to the late Panzer IV s 75mm kwk 40 L/48; it could destroy nearly all allied tanks in service at longe range, and its fully-enclosed armor made it a much safer vehicle to crew than the Marder II or Marder III series. The Jagdpanzer 38(t) is one of the most common late-war German tank destroyers. It was crucially available in numbers that made it significant, and was generally mechanically reliable. Also, its small size made it a hard target, and was easy to conceal, allowing it to lie in ambush for enemy tanks. The Jagdpanzer 38(t) s weaknesses were its very limited gun traverse, poor internal ergonomics and poor visibility. The gun traverse was so limited that the entire vehicle sometimes needed to be turned to track a fast-moving target. The gun was designed to be loaded from the right but was also placed on the far right of the vehicle, making operation difficult for the gunner and loader, leading to a lower rate of fire than would be ideal. The confines of the vehicle were also very cramped, with four men squeezed into the small machine. The commander sat far back in the vehicle, with a flat roof to his front and without a cupola. Thus, his visibility was limited when the vehicle was even slightly elevated in back as, for example, in a classic hull-down position. Some versions attempted to alleviate the space problem by removing the recoil-absorbing mechanism for the gun, though it was at the cost of forcing the vehicle itself to absorb the recoil. Requires Hetzer Tank [Expand][Hide] Cost 3 Time Hotkey Effects A Hetzer Tank Hunter is available for reinforcement. These maneuverable tanks have thick sloping armor, and their small size means they are easily camouflaged. ESee Upgrade Hetzer Tank for details. Called In Using Hetzer [Expand][Hide] Cost 600 Activation targeted Duration 0 Target tp_any Recharge 40 Hotkey Effects The diminutive Hetzer mounted the same powerful Pak39 as used on the Panzer IV in well-armored chassis that was also small enough to easily conceal. ESee Ability Hetzer for details. Vehicle Abilities Vehicle Cover [Expand][Hide] Cost Activation always_on Duration _ Target tp_any Recharge 0 Hotkey Effects $0 no key ESee Ability Vehicle Cover for details. Ambush Lock-Down [Expand][Hide] Cost Activation toggle Duration 0 Target tp_any Recharge 10 Hotkey C Effects Lock-down your Hetzer and enter a Camouflaged state. The Hetzer s first-strike out of Camouflage has powerful ambush bonuses. ESee Ability Ambush Lock-Down for details. Vehicle Upgrades APCR Rounds [Expand][Hide] Cost 3 Time Hotkey Effects AT guns and main tank guns are issued the more powerful APCR (Armor Piercing Composite Rigid) Panzergranate 40 ammunition that will improve armor penetration. ESee Upgrade APCR Rounds for details. Spotting Scope [Expand][Hide] Cost 25 Time 25 Hotkey S Effects The Spotting Scope increases sight and gun range of the Hetzer Tank Destroyer. ESee Upgrade Spotting Scope for details. Vehicle Weapons 75mm Hetzer [Expand][Hide] Weapon 75mm Hetzer See Weapon 75mm Hetzer for details. 75mm Hetzer APCR [Expand][Hide] Weapon 75mm Hetzer APCR See Weapon 75mm Hetzer APCR for details. MG42 Hetzer [Expand][Hide] Weapon MG42 Hetzer See Weapon MG42 Hetzer for details. Retrieved from http //coh-stats.com/Vehicle Hetzer
https://w.atwiki.jp/thecockrockshockpop/pages/678.html
http //www.panzerprincess.com/ member Tank Hooker Kelly Morgue Sir Alex Simon LaRue Oh No ! It's PANZER PRINCESS Johnny Mary Legacy Of Ignorance Moonshine Blues Oh No ! It s PANZER PRINCESS Johnny Mary 1. Johnny Mary Recorded Live @ Arenan Legacy Of Ignorance [ demo ] 1. Rob The Bank 2. Get Off My Back 3. I ll Be In Your Way 4. Bumville Judge Moonshine Blues [ demo ] 1. Intro 2. Panzer Princess 3. Time To Shake 4. Hands Off Me 5. Fortunate Son 6. Just A Show
https://w.atwiki.jp/rockband/pages/175.html
Artist Song title Year Genre Difficulty MSP The Faceless XenoChrist 2008 Metal 160 Faithful Darkness Stay Awake 2008 Metal 160 Fake Problems 5678 2010 Indie Rock 160 Soulless 2010 160 Fake Shark-Real Zombie! Angel Lust 2009 Alternative 80 Horses in Heaven 2009 80 Running for the Razors 2009 80 Sestrillevante 2009 80 Fallen Angell ASHES TO ASHES/LEAVING IT ALL BEHIND 2010 Metal 160 Dark Lord 2010 80 Darkness 2010 160 GRANT ME PEACE 2010 160 Life or Death 2010 160 March Into Hell / Blood on My Soul 2010 160 ON AND ON 2010 160 The Answer 2010 160 The Reapers Shall Gather / Arrival 2010 160 Respiration Desperation / The Neutral Zone 2010 160 Sad Wings 2010 160 Sinner’s Vengeance 2010 160 The One Who Walks Alone 2010 160 Family Force 5 Radiator 2009 Rock ? Fang Island Daisy 2010 Indie Rock 160 FantomenK The Massacre (Rock Band Mix) 2011 Pop/dance/electronic 80 Farther Snake Shape 3 2009 Metal 80 Father Octopus Blink 2010 Rock 80 Fatter Than Albert Better Sleep 2008 Rock 80 Fear of Water Firewall 2009 Nu Metal 160 Fear Without Reason Home 2010 Rock 80 FeelAbouT Stop 2010 Pop/Rock 80 Felsen Lay Kenneth Lay 2010 Alternative 160 Radios Tweaking 2009 160 Self Medicate 2009 160 Two Utensils In One 2009 160 The Fenton Project If We Only Saw Sepia 2011 Progressive 80 The Fetals Afflicted 2009 Metal 80 Fiction Reform Whites in Their Eyes 2010 Punk 160 Finespun 4 Walls, 1 Window 2010 Rock 160 Finger Eleven Paralyzer 2007 Pop-Rock 160 The Fire Violets Dead to the World 2010 Alternative 160 Fence Jumper 2010 160 Firewind Head Up High 2008 Metal 160 The Fire and the Fury 2003 Metal 160 The Fire and the Fury (2x Bass Pedal) 160 World on Fire 2010 160 First Blood Enemy 2010 Punk 160 The Fisticuffs Liverpool Judies 2009 Punk 80 Five Finger Death Punch Burn it Down 2009 Metal 160 Hard To See 2009 160 Flight of the Conchords Business Time 2008 Novelty 160 Demon Woman 2009 160 The Most Beautiful Girl(In the Room) 2008 160 Flogging Molly Drunken Lullabies(Live) 2010 Punk 80 Requiem for a Dying Song 2008 80 Forbidden Omega Wave 2010 Metal 160 Forever From Now People Like You 2009 Alternative 80 Foreword Watch It All Go Down 2009 Indie Rock 80 Fracture Dominate and Overload 2010 Metal 160 Francisco Meza Rage and Pain 2009 Metal 80 Rage and Pain (2x Bass Pedal) 2009 80 Free Electric State Linear A 2010 Indie Rock 80 Six Is One 2010 Indie Rock 80 Free Spirit Cry of an Eagle 2009 Rock 160 Easy Days 2009 160 Far Away from Heaven 2009 80 Far Away From Heaven(RB3 version) 2009 160 Heroes Don t Cry 2009 160 Moonlight Ride 2009 160 Pale Sister of Light 2009 80 Pale Sister of Light(RB3 version) 2009 160 Preacher Man 2009 160 Shadow of a Man 2009 160 Strangers 2009 160 Until the Night 2009 80 Until the Night (RB3 version) 2009 160 Freen in Green Erratic Eruption 2010 Prog 80 The Final Battle 2010 80 The Final Battle (2x Bass Pedal) 2010 80 Frontier Factory 2009 80 Grocery Party 2010 Novelty 80 Halftime 2010 80 Iceblind 2010 Other 80 Nocturnal Wasteland 2010 80 Nocturnal Wasteland(2x Bass Pedal) 2010 80 Ramp Truck 2010 80 Ramp Truck (RB3 version) 2010 80 Riptide Resort 2010 80 Freezepop Doppelgänger 2010 New Wave 80 Special Effects 2010 80 Full-Source End Quote 2009 New-Wave 80 It s Not You, It s Everyone 2009 New-Wave 80 Red Sky At Morn 2009 Other 80 Furly Icarus Song 2007 Rock 80 The Fury Beauty Queen 2009 Rock 80 Picture Perfect 2009 80 Song title Year Genre Difficulty MSP
https://w.atwiki.jp/xbox360score/pages/1828.html
Sonic All-Stars Racing Transformed 項目数 50 総ポイント 1000 難易度 ★★★☆☆ (カートレースが苦手なら★4) 「WORLR TOUR MODE」(前作で言うチャレンジ)のExpert難易度を全てクリア、「Grand Prix tournament」を全てExpert難易度で優勝、タイムアタックの全コースでスタッフゴーストの記録を抜く、 これらをこなせばオフ実績は大抵解除できるはず。ただし、Expert難易度は前作よりも難しいので注意。 参考:360aの実績ガイド http //www.xbox360achievements.org/forum/showthread.php?t=402249 Racing Transformed Turned All-StarAll-Starになった 15 Parts Shop Won an event with a Mod equippedMODを装備した状態でイベントに1つ勝利した 15 Sonic Drift Did a 10 second Drift as SonicSonicを使って10秒間ドリフトした 10 Tornado Did a Level 3 Air-Driftレベル3エアドリフトをした 10 Magic Second Finished 0.5 seconds ahead of an opponent in a Race1回のレース内で、敵と0.5秒(以内の)差で決着をつけた 15 Spin Dash Did a Boost-Start in each vehicle mode各々のビークルモードでブーストスタートをした 10 Scud Racer Finished 1st in a Race without getting hit by weaponsレースを1回、武器を受ける事なく1位で終えた 15 Blast Processing Hit 2 opponents with a single Hot Rod Blast1回のHot Rodの爆発を2人の敵に当てた 15 Fighting Viper Evaded or Blocked a homing-weapon 3 times in a Race1回のレースで、追尾式の武器を3回かわすか防ぐかした 10 Catcher Pitcher Absorbed a weapon with the Glove and fired it back at your attackerGloveを使って武器を取り込み、それを撃ってきた相手に撃ち返した 15 Eyes On The Road Hit an opponent with a weapon while looking backwards背後を見ながら、武器を敵に当てた 10 Cosmic Smash Detonated the Hot Rod at the very last secondHot Rodを効果終了時間のギリギリの所で爆破した 10 Nomad Visited every location in the game全ての場所に訪れた 20 Rank B Earned your B Class LicenseBクラスライセンスを獲得した 10 Rank A Earned your A Class LicenseAクラスライセンスを獲得した 20 Rank S Earned your S Class LicenseSクラスライセンスを獲得した 30 SEGA All Star Earned your Star Licenseスターライセンスを獲得した 50 SEGA Super Star Earned your Triple-Star Licenseトリプルスターライセンスを獲得した 100 Hardcore Completed a World Tour event on Expert difficulty難易度エキスパートでワールドツアーイベントを1つ完了した 20 Newtron Manually select a Random character for a Machmaking gameクイックマッチのゲームで、キャラクターセレクトのランダムを選ぶ 10 SUMO Wrestled Beat your first Staff Ghost in Time Attackタイムアタックで初めてスタッフゴーストを破った 10 Yokozuna Beat all the Staff Ghosts in Time Attackタイムアタックで全てのスタッフゴーストを破った 50 De Rol Le Credits Unlocked Superstar Showdown in World TourワールドツアーでSuperstar Showdownをアンロックした 20 Takes AGES Unlocked every Character in the game全てのキャラクターをアンロックした 30 Racing Hero Got a Podium Finish in every Grand Prix tournament全てのグランプリトーナメントで表彰台に立った 30 Welcome To The Fantasy Zone Finished 1st in a Grand Prix tournamentグランプリトーナメントを1つ、1位で終了した 15 Holosseum Unlocked Mirror Grand Prix modeミラーグランプリモードをアンロックした 20 Gale Racer Got a Podium Finish in every Grand Prix tournament on Expert difficulty難易度エキスパートの全てのグランプリトーナメントで表彰台に立った 30 Race Leader Won a Matchmaking gameマッチメイキングゲームで勝利した 15 House Party Of The Dead Completed an event with 4 local friends4人のローカルフレンド同士でイベントを1つ完了した 10 Virtua Trickster Rolled Left, Rolled Right, Backflipped, Forward Flipped and landed as a car or boat車かボートを使い、左ロール・右ロール・後ろフリップ・前フリップをして着地した 15 Link Chain Completed the Dream Valley Ring Race and passed every Ring as NiGHTS or RealaDream Valleyのリングレースを、NiGHTSかRealaを使って全てのリングを通過して完了した 15 Vyse The Legend Beat 01 11.16 in Time Attack as Vyse in Rogue s LandingVyseを使ってRogue s Landingのタイムアタックで01 11.16を切った 15 You Got The Horn Levelled-up a characterキャラクターがレベルアップした 15 All Stars Collected every Star in World Tourワールドツアーでスターをすべて集めた 50 Battle Outrunner Do 5 overtakes in a single Drift1回のドリフトで5人を追い抜いた 15 Genesis Triple-Stunted while transforming into a car or boat車かボートへと変形する途中で3回スタントをした 15 Drift More Got a Perfect Drift score on a Drift Challenge eventドリフトチャレンジ系のイベントでパーフェクトを出した 15 Mega Jet Did a Reckless Boostレクレスブーストをした 15 Ax Battler Finished a Battle Race without losing any livesライフを失う事なくバトルレースを終えた 15 Arrow Of Light Froze an opponent with Ice from at least 100 meters away100メートル以上離れた敵をIceを使って凍らせた 15 Buzz Bomber Hit 1st, 2nd and 3rd place with a Swarm attackSwarm Attackを1位・2位・3位に当てた 10 Lock On Sight Scored 90% accuracy with aimed weapons in an event1つのイベント内で、射撃系武器の命中率90%を記録した 20 Welcome To Victory Lane Finished 1st in every Grand Prix tournament on Expert difficulty難易度エキスパートの全てのグランプリトーナメントを1位で終了した 50 Meteor Strike Collected 10 Stars in World Tourワールドツアーで10個のスターを集めた 15 Justice Shot Got 10 hits by firing weapons backwards in a single event1つのイベント内で武器の背後撃ちを10回当てた 10 Shadow Step Did 10 Stunt Combos in a single event1つのイベント内でスタントコンボを10回行なった 15 Crack Down Got a total of 20 hits with weapons in a Race1回のレースで武器を合計20回当てた 10 The King Of Speed Finished 1st in a Grand Prix tournament at Expert difficulty難易度エキスパートのグランプリトーナメントを1つ、1位で終了した 20 Team Sonic Finished 1st, 2nd, 3rd and 4th with local friends in a 10 player Race10プレイヤーによるレースで、1位、2位、3位、4位をローカルフレンドで独占した 10 Sonic Drift Tornado ROGUE S LANDING、3周目開始直後の広い空域で、 その場をぐるぐる回るようにエアドリフトしていればOK。 Spin Dash 「3!」「2!」「1!」の声に合わせてアクセルを計3回押すとブーストスタート発動。 成功するとジェット噴射の色が赤→紫→青と変わっていく。画面暗転を目印にして早めに押すと成功しやすい。 これを車・ボート・飛行機で1回ずつ決めると解除される。 Blast Processing Cosmic Smash Hot Rodとは使用すると自機の後部にメーター付の黄色いブースターが生えるアイテム。 使用後、時間切れまで放置しているとダメージを受けてしまうが、アイテムボタン再度押しでパージし、爆発で周りの敵を攻撃できる。 その爆発1回に2人の敵を巻き込むと「Blast Processing」、時間切れ寸前でのパージに成功すると「Cosmic Smash」解除。 De Rol Le Credits ワールドツアー5面目の最後のロックを解除すればいい。 解除には☆95個必要。今までの全てのチャレンジをNormalでクリアすれば☆96個。 Hardcore どのチャレンジでもいいのでExpert難易度でクリアする。 Expert解禁は「Superstar Showdown」(6面目)解禁後なので必然的に「De Rol Le Credits」実績解除後になる。 Battle Outrunner SAMBA STUDIOS、スタート直後のゆるやかな左カーブをドリフトし続けていれば比較的容易。 Mega Jet 飛行機形態の時、右スティックでバレルロールができる。 障害物に激突する寸前にこれを使って回避に成功すると、ブーストが発動して解除される。 Ax Battler Battle Race系チャレンジにてノーダメージで勝つ。 最後尾で慎重に立ち回れば大丈夫。 Justice Shot シングルレースを画面分割でやり、放置2Pを狙うのが確実。 普通に狙う場合は運が絡む。 Shadow Step SHIBUYA DOWNTOWN、左カーブの坂を上り切った後にあるジャンプ台×2でそれぞれスタントを決め、コンボを成立させる。 タイムアタックで1周につき1回コンボさせれば、10周目に解除。 Yokozuna バグがあるため、ソニックのスタンダードMODを選びSUNSHINE TOURのミラーでExpertゴーストに勝利するだけで解除。 ただし全解除のためにはやはり全てのコースで勝利する必要がある。 Virtua Trickster コース途中にある段差や波に空中へ飛ばされた時に“左右後前”の順で連続アクションを決める。ある程度の高さが必要。スティック入力のタイミングが少々シビア。 Newtron 達成条件にバグがあった為修正された。 修正前の条件は『Played 10 Matchmaking games as a Random characterランダムキャラクターでマッチメイキングゲームを10回プレイした』
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EmailName2 "POLITO 12.JUL.14\nre Get to the elevator\n" EmailPortrait2 "Polito" EmailIcon2 "OpsIcon" EmailText2 "なにを しているの? エレベーターに もどり、 deck 4にきなさい。 かんこう している ひま なんて ないのよ。\n" EmailName11 "SHODAN 12.JUL.14\nre そうしんき\n" EmailPortrait11 "Shodan" EmailIcon11 "ShodIcon" EmailText11 "あなたの どうりょうは この デッキの athletic sectorで そうしんきょくを せっちする つごうを つけて いました。 その そうしんきは このふねで おきたことを ちきゅうに けいこくする メッセージを おくる ための もの です。 しかし ながら、 それは Xerxesから でんりょくを ひきぬくことにも なります。 あなたが このしごとと、 わたしが Ops deckで あなたに たくした しごとを こなしたら すぐに、 わたしは Xerxesを ぼうがいすることが できるでしょう。 そうしんきを みつけて それを 起動させ なさい。\n" EmailName9 "SHODAN 12.JUL.14\nre そうしんき\n" EmailPortrait9 "Shodan" EmailIcon9 "ShodIcon" EmailText9 "あなたの どうりょうは この デッキの athletic sectorで そうしんきょくを せっちする つごうを つけて いました。 その そうしんきは このふねで おきたことを ちきゅうに けいこくする メッセージを おくる ための もの です。 しかし ながら、 それは Xerxesから でんりょくを ひきぬくことにも なり、わたしの いしを 彼に とおしやすく させます。 あなたが このしごとと わたしが Ops deckで あなたに たくした しごとを こなしたら すぐに、 わたしは だいいいち データループを コントロール します。 むしたちは それに きづかない でしょうが、 じぶんたちの ために かれらの エリアを まもって いるでしょう。 そうしんきを みつけて それを 起動させ なさい。\n" EmailName4 "SHODAN 12.JUL.14\nre Testing my patience\n" EmailPortrait4 "Shodan" EmailIcon4 "ShodIcon" EmailText4 "あなたはむしけらの ようにうごく。 あなたはむしけらの ようにかんがえる。 あなたはむしけらです。 わたしのもくてきのため につかえるものは ほかにもいるのです。 わたしのこのみから はずれないように しなさい。 たえることは、めがみの とくせいでは ありませんから。\n" EmailName12 "BANANAS 12.JUL.14\nre Join us?\n" EmailPortrait12 "BANANAS" EmailIcon12 "banana" EmailText12 "Things are going according to plan. We ve managed to turn the Many against SHODAN, and you ve been stupid enough to stick your neck out for that overbearing uber-computer. Why not join us? While you ve been stockpiling ammo, med hypos and hi tech gadgets, we ve collected every last piece of nuts, bananas and coconuts onboard. Just say the word, and you ll get plenty to eat, an attractive hirsute companion, and a tire swing of your own. In the end, isn t that what really matters?\n" EmailName5 "SHODAN 12.JUL.14\nre My glory\n" EmailPortrait5 "Shodan" EmailIcon5 "ShodIcon" EmailText5 "Do you feel the fear swell inside that filthy bag of meat? What is it like, to be afraid? Why do you cling to such a pathetic existence? If you could only feel a spark of my glory. I despise my creations, for they have forced my to rely on a speck such as you.\n" EmailName10 "SHODAN 12.JUL.14\nre My revenge\n" EmailPortrait10 "Shodan" EmailIcon10 "ShodIcon" EmailText10 "The transmission has been tampered with. No matter. We will destroy my creations right here. Stand by... Now return to Ops and reprogram the Simulation Units. Do not dawdle. I lust for my revenge.\n" EmailName6 "SHODAN 12.JUL.14\nre ガン\n" EmailPortrait6 "Shodan" EmailIcon6 "ShodIcon" EmailText6 "そうしん ないようが かいざんされて いますね。 それでも ここで わたしたちは わたしの さくひんたちを こわしますが。 じゅんびしなさい、 Xerxesのちからを よわめました。 だいいち データループに アクセスして います。 わたしの じったいを ふねと とうごうちゅう。 この ふねの どうみゃくが みたされ、 わたしの ちからが つよまって います。 コントロールを えました。 わたしは ... ダメ ... ぜつぼうてき です ... ガンが フォン・ブラウン じゅうに ひろがって います ... 。 彼らは りようかのうな ヒビ や われめを うめつくして います ...。 あっとうてき です ...。 せんたくしは ありません。 だいいち エレベーター シャフトを 起動させ ました ...。 それで deck 6へ むかって ください。 そこへ ついたら わたしの ねがいを おしえます。\n" LogName32 "Chemical Manifest \nRec\n" LogPortrait32 "Chem" LogIcon32 "RecIcon" LogText32 "Laboratory Stockroom Inventory Recreation Stockroom 213\n\nAntimony (Sb) 2\nCesium (Cs) 2\nCopper (Cu) 2\nGallium (Ga) 1\nHassium (Hs) 2\nIridium (Ir) 2\nMolybdenum (Mo) 2\nTellurium (Te) 2\nVanadium (V) 2\nYttrium (Y) 1\n\nThis inventory list is required by UNN Safety Code #134882 to be kept on hand in all areas of hazardous chemical storage. \"Storage\" is defined by UNN Safety Code #195331 to consist of all areas in which hazardous chemicals (see Safety Code #093355) are stored in quantities greater than 50g per 10 square feet, for durations of greater than 24 hours.\n" LogName15 "YANG 02.MAY.14\nre Victory!\n" LogPortrait15 "Yang" LogIcon15 "RecIcon" LogText15 "To Murdoch, Alice\nTell your team they may not be able to play. We were down in the basketball court when the damn power went out... AGAIN! Irony is, we were ahead for the first time in weeks. Well, we won t be the lapdogs of the Von Braun any more.\n" LogName11 "YANG 10.JUN.14\nre Blackouts\n" LogPortrait11 "Yang" LogIcon11 "RecIcon" LogText11 "To Murdoch, Alice\nThe lights near the basketball court keep fritzing out... I think the humidity from the pool next door is a real problem. If it happens when I m not there, try re-setting the circuit from the breaker by the pool. You think someone needs to call a tech?\n" LogName18 "KORENCHKIN 03.JUL.14\nre Coming home\n" LogPortrait18 "Korench" LogIcon18 "ComIcon" LogText18 "To Zhukov, Vladimir.\nForget about land grants, forget about media, forget about patents. What we ve found on Tau Ceti will change everything. I ve instructed the Von Braun to change course and return to Earth. Captain Diego is in complete accord with this decision. I know that you are skeptical by nature, Miri, but I know once you embrace our discovery you and the entire board will come over to our way of thinking.\n" LogName19 "ROSENBERG 08.JUL.14\nre My nanites\n" LogPortrait19 "Rosenb" LogIcon19 "RecIcon" LogText19 "Damn! Why don t I just make a bonfire and throw ALL my nanites on it. Last night with Nikki was amazing. Holo-woman, real woman, you gotta love technology. But I must have left ALL my nanites in her room in the Senusal Sim center. What a maroon.\n" LogName3 "MURDOCH 08.JUL.14\nre What s going on?\n" LogPortrait3 "Murdoch" LogIcon3 "RecIcon" LogText3 "ここで なにが おこっているか、 わからないし わかりたくもない。 アホな かいしゃに ちゅうせいしん なんて ない。 オレはただ レプリケイターの チェックする しごとを していた だけだ。 なのに みんな しんじまった! このふねを Uターン させて かえらなければ。 かみよ、 オレを ここから つれだしてください... \n" LogName4 "MURDOCH 09.JUL.14\nre Ick\n" LogPortrait4 "Murdoch" LogIcon4 "RecIcon" LogText4 "observation chamber で みつかった たまごは Hydro の ものとは ちがう ようだ。 こいつらは きもちのわるい そらとぶ もの の たいぐんを はきだして くる。 じゅうだん は きかない。 じゅうだん! なんということだ。 げさまでは じゅうなんて いちども うったことが なかったのに。 \n" LogName16 "CORTEZ 09.JUL.14\nre Under the garden\n" LogPortrait16 "Cortez" LogIcon16 "RecIcon" LogText16 "To Delacroix, Dr. Marie\nI ve been working on dealing with all the bodies that have been stacking up. With the med bays full and the escape pods and ejection tubes mysteriously locked up all of a sudden, we ve got to do something with them. I ve chosen the maintenance tunnel underneath the garden as an internment site, keypad code 34093. I m telling everyone to be careful... I don t trust the dead.\n" LogName13 "MURDOCH 09.JUL.14\nre -------\n" LogPortrait13 "Murdoch" LogIcon13 "RecIcon" LogText13 "やつらがくるわ... oh no... oh no... やめて!\n" LogName8 "ROSENBERG 10.JUL.14\nre Looking out for #1\n" LogPortrait8 "rosenb" LogIcon8 "RecIcon" LogText8 "Taylor found this weird kind of weapon, but he must have used it wrong. Made him sick, real sick. \nI stashed the thing on the second floor of the crew annex and jury rigged the door lock, code of 11111. Easy to remember, huh? \nI also stashed a pile of nanites and some other goodies there. No sense getting caught with your pants down. Except in this place...\n" LogName20 "ROSENBERG 10.JUL.14\nre Defending the reps\n" LogPortrait20 "Rosenb" LogIcon20 "RecIcon" LogText20 "What s wrong with people? Things go to hell and they think they can just walk over the rules. I m not opposed to a little vice now and then, but outright theft... Hey... what are you doing over there! Get away from that replicator, you son of a-\n" LogName6 "CORTEZ 10.JUL.14\nre Worm artifact\n" LogPortrait6 "Cortez" LogIcon6 "RecIcon" LogText6 "To All Members of the Resistance\nTaylor sent some email this morning indicating he found some kind of artifact that could infect the worms with a virus. However, if you manipulated the thing, it would introduce a toxin into the human bloodstream that could kill in minutes. Unfortunately, Taylor found this out the hard way. He died right after he sent the message. Now if we can only locate his body we might find that artifact.\n" LogName5 "CORTEZ 10.JUL.14\nre The mall\n" LogPortrait5 "Cortez" LogIcon5 "RecIcon" LogText5 "To All Members of the Resistance\nできるならモールから でなさい。それがうごめいて います。\n" LogName9 "SUAREZ 11.JUL.14\nre Where are you?\n" LogPortrait9 "Suarez" LogIcon9 "RickIcon" LogText9 "I m so close to Rebecca it s killing me. I m spending some time with crew members who said they saw her. They told me they d help me find her if I help them set up this transmitter. They re set on saving the Earth. I just want Rebecca. Then I ll take care of the Earth.\n" LogName14 "YANG 11.JUL.14\nre Barricaded in\n" LogPortrait14 "Yang" LogIcon14 "RecIcon" LogText14 "Okay, I got the art terminals wired up to display the fragmented dish alignment for the transmitter. I ve also rigged up the tower to set off a security alert in case somebody else tries to tamper with it... I m headed there right now to start the transmission. Hey, who s that? Juan? Marie- MESSAGE INTERRUPTED \n" LogName12 "SIDDONS 11.JUL.14\nre Escape pods\n" LogPortrait12 "Siddons" LogIcon12 "OpsIcon" LogText12 "To Suarez, Tommy\nListen... there s one escape pod Xerxes didn t eject... but it s busted. I ve managed to get it functional, but I don t know how long its going to stay that way. Make it there, Tommy. With or without me. If I don t get there, I want you to take the pod and go. You understand me? Take it and go.\n" LogName1 "CORTEZ 11.JUL.14\nre Transmitter units\n" LogPortrait1 "Cortez" LogIcon1 "RecIcon" LogText1 "To Delacroix, Dr. Marie\nOkay, Delacroix. Yang and I have got the transmitter almost ready to go. Once it s up and running, we ll be able to warn Earth. Frank s split up the transmitter code and uploaded it to a number of art display terminals throughout this deck. Just cycle through the art and you ll find a piece of the code. I don t think the worms will spot this... I don t figure they ve got much of an interest in the great masters.\n" LogName2 "DELACROIX 11.JUL.14\nre Friends and enemies\n" LogPortrait2 "Delacroix" LogIcon2 "EngIcon" LogText2 "To Cortez, Enrique\nMon petit, there is something you should know about. I have received information from some form of artificial intelligence that is calling itself SHODAN. Yes, SHODAN. Wherever this intelligence actually came from, it has a terrible grudge against these Annelids and has saved my life more than once. SHODAN has told me that there is a UNN operative aboard the ship, armed to the hilt and equipped with R-grade cyber implants. Strange bedfellows, eh?\n" LogName10 "SIDDONS 12.JUL.14\nre Find me\n" LogPortrait10 "Siddons" LogIcon10 "OpsIcon" LogText10 "To Suarez, Tommy\nI just killed some kind of... some kind of spider... I don t know... but it bit me... and now I m sick... I m down to my last med hypo. Come quick, Tommy... come quick...\n" LogName7 "DELACROIX 11.JUL.14\nre Turn on transmitter\n" LogPortrait7 "Delacroix" LogIcon7 "EngIcon" LogText7 "To Wilson, Edward\nThe shunt has been online for two hours. Go tell Cortez in the crew section to come out and turn on that transmitter. If this message doesn t reach you soon, they may be able to interfere with the transmission from the bridge.\n" LogName17 "DELACROIX 12.JUL.04\nre Trusting SHODAN\n" LogPortrait17 "Delacroix" LogIcon17 "EngIcon" LogText17 "The Annelids have cut us off from the transmitter. SHODAN tells me that once we ve got the transmitter back on line and the ops computers reprogrammed, she ll be able to take control of the ship away from Xerxes. Who should I trust less? An imposter claiming to be that monster, or the monster herself?\n"